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Found 1,960 results

  1. Artist: Delitiæ Musicæ & Marco Longhini Title: Gesualdo: The Complete Madrigals Year Of Release: 2013 Label: Naxos Genre: Classical Quality: FLAC (image + .cue, log, artwork) Total Time: 7:13:30 Total Size: 1.74 GB Tracklist: Disc 1 01. Baci soavi e cari (part 1) 02. Quanto ha di dolce amore (part 2) 03. Madonna, io ben vorrei 04. Come esser può ch'io viva? 05. Gelo ha madonna il seno 06. Mentre madonna (part 1) 07. Ahi, troppo saggia (part 2) 08. Se da si nobil mano 09. Amor, pace non chero 10. Sì gioioso mi fanno i dolor miei 11. O dolce mio martire 12. Tirsi morir volea (part 1) 13. Frenò Tirsi il desio (part 2) 14. Mentre, mia stella, miri 15. Non mirar, non mirare 16. Questi leggiadri odorosetti fiori 17. Felice primavera! (part 1) 18. Danzan le ninfe (part 2) 19. Son sì belle le rose 20. Bella angioletta Disc 2 01. Caro amoroso neo, madrigal for 5 voices (Book 2), W. 2/13: 1. Caro amoroso neo 02. Caro amoroso neo, madrigal for 5 voices (Book 2), W. 2/13: 2. Ma se tale ha costei 03. Hai rotto e sciolto e spento, madrigal for 5 voices (Book 2), W. 2/18 04. Se per lieve ferita, madrigal for 5 voices (Book 2), W. 2/22: 1. Se per lieve ferita 05. Se per lieve ferita, madrigal for 5 voices (Book 2), W. 2/22: 2. Che sentir deve il petto 06. In più leggiadro velo, madrigal for 5 voices (Book 2), W. 2/27 07. Se così dolce e il duolo, madrigal for 5 voices (Book 2), W. 2/30: 1. Se così dolce è il duolo 08. Se così dolce e il duolo, madrigal for 5 voices (Book 2), W. 2/30: 2. Ma se avverrà ch'io moia 09. Se taccio il duol s'avanza, madrigal for 5 voices (Book 2), W. 2/33 10. O com'è gran martire, madrigal for 5 voices (Book 2), W. 2/35: 1. O come è gran martire 11. O com'è gran martire, madrigal for 5 voices (Book 2), W. 2/35: 2. O mio soave ardore 12. Sento che nel partire, madrigal for 5 voices (Book 2), W. 2/37 13. Non e questa la mano, madrigal for 5 voices (Book 2), W. 2/41: 1. Non è questa la mano 14. Non e questa la mano, madrigal for 5 voices (Book 2), W. 2/41: 2. Nè tien face o saetta 15. Candida man qual neve, madrigal for 5 voices (Book 2), W. 2/45 16. Dalle odorate spoglie, madrigal for 5 voices (Book 2).W. 2/48: 1. Dalle odorate spoglie 17. Dalle odorate spoglie, madrigal for 5 voices (Book 2).W. 2/48: 2. E quell'arpa felice 18. Non mai non cangerò, madrigal for 5 voices (Book 2), W. 2/51 19. All'apparir di quelle, madrigal for 5 voices (Book 2), W. 2/53 20. Non mi toglia il ben mio, madrigal for 5 voices (Book 2), W. 2/56 21. Bonus track - Canzone del Principe (London, British Library) 22. Bonus track - Gagliarda del Principe di Venosa, for keyboard, W. 10/22 Disc 3 01. Voi volete ch'io mora (part 1) 02. Moro o non moro (part 2) 03. Ahi, disperata vita 04. Languisco e moro 05. Del bel de' bei vostri occhi 06. Ahi, dispietata e cruda 07. Dolce spirto d'amore 08. Sospirava il mio core (part 1) 09. O mal nati messaggi (part 2) 10. Veggio, sì, dal mio sole 11. Non t'amo, o voce ingrata 12. Meraviglia d'amore (part 1) 13. Ed ardo e vivo (part 2) 14. Crudelissima doglia 15. Se piange, ohimè la donna del mio core 16. Ancidetemi pur, grievi martiri 17. Se vi miro pietosa 18. Deh, se già fu crudele 19. Dolcissimo sospiro 20. Donna se m'ancidete (a sei voci) 21. Bonus track - Come vivi cor mio, madrigal for 5 voices, W. 10-34 22. Bonus track - All'ombra degli allori, canzonetta for 5 voices, W. 10-32 Disc 4 01. Luci serene e chiare 02. Tal'hor sano desio 03. Io tacerò, ma nel silenzio mio (part 1) 04. Invan, dunque, o crudele (part 2) 05. Che fai meco, mio cor 06. Questa crudele e pia 07. Hor che in gioia (part 1) 08. O sempre crudo amore (part 2) 09. Cor mio, deh, non piangete (part 1) 10. Dunque non m'offendete (part 2) 11. (Luzzasco Luzzaschi: Toccata del IV tono) 12. Sparge la morte al mio Signor 13. Moro, e mentre sospiro (part 1) 14. Quando di lui la sospirata vita (part 2) 15. Mentre gira costei 16. A voi, mentre il mio core 17. Ecco, morirò dunque (part 1) 18. Ahi, già mi discoloro (part 2) 19. Arde il mio cor 20. Se chiudete nel core 21. Il sol qual or più splende (a sei voci - part 1) 22. Volgi mia luce (a sei voci - part 2) Disc 5 01. Madrigals for 5 voices, Book 5: Gioite voi col canto 02. S'io non miro non moro 03. Itene, o miei sospiri 04. Dolcissima mia vita 05. O dolorosa gioia 06. Qual fora, donna 07. Felicissimo sonno 08. Se vi duol il mio duolo 09. Occhi del mio cor vita 10. Languisce al fin 11. Mercè, grido piangendo 12. O voi troppo felici 13. Correte, amanti, a prova 14. Asciugate i begli occhi 15. Tu m'uccidi, o crudele 16. Deh, coprite il bel seno 17. Poichè l'avida sete (part 1) 18. Ma tu cagion (part 2) Disc 6 01. Madrigals for 5 voices, Book 5: O tenebroso giorno 02. Madrigals for 5 voices, Book 5: Se tu fuggi, io non resto 03. Madrigals for 5 voices, Book 5: T'amo mia vita 04. Madrigals, Book 6: Se la mia morte brami 05. Madrigals, Book 6: Beltà, poi che t'assenti 06. Madrigals, Book 6: Tu piangi, o Filli mia 07. Madrigals, Book 6: Resta di darmi noia 08. Madrigals, Book 6: Chiaro risplender suole 09. Madrigals, Book 6: Io parto e più non dissi 10. Madrigals, Book 6: Mille volte il dì, moro 11. Madrigals, Book 6: O dolce mio tesoro 12. Madrigals, Book 6: Deh, come invan, sospiro 13. Madrigals, Book 6: Io pur respiro 14. Madrigals, Book 6: Alme d'amor rubelle 15. Madrigals, Book 6: Candido e verde fiore Disc 7 01. Madrigals, Book 6: Ardita zanzaretta 02. Madrigals, Book 6: Ardo per te, mio bene 03. Madrigals, Book 6: Ancide sol la morte 04. Madrigals, Book 6: Quel no crudel 05. Madrigals, Book 6: Moro, lasso, al mio diolo 06. Madrigals, Book 6: Volan quasi farfalle 07. Madrigals, Book 6: Al mio gioir il ciel si fa sereno 08. Madrigals, Book 6: Tu segui, o bella Clori 09. Madrigals, Book 6: Ancor che per amarti 10. Madrigals, Book 6: Già piansi nel dolore 11. Madrigals, Book 6: Quanto ridente e bella Carlo Gesualdo, Prince of Venosa, became famous for two reasons: the bloody double murder of his first wife and her lover, and his passionate and erotic view of profane love. The Madrigals chart the changes in Gesualdo's style, and contain some of the most inspired and anguished vocal works in the entire madrigal repertoire, on the themes of love, rejection, death, suffering, joy and sorrow. Brimming with often astonishing and sometimes unpredictable melodic and tonal contrasts to express the agonies and ecstacies of love, Gesualdo's Madrigals show him to have been one of the most inventive and eccentric musical minds of his age. Download links: [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content]
  2. kingdevils

    Martina Claussen - Verwoben (2020)

    Artist: Martina Claussen Title: Verwoben Year Of Release: 2020 Label: Forwind - FWD 29 Genre: Electronic, Experimental, Electroacoustic Quality: 16bit-44,1kHz FLAC Total Time: 50:25 Total Size: 201 mb Tracklist 1. Lisa (09:15) 2. Verwoben (10:12) 3. Fairytale Extended (06:36) 4. Cri (07:14) 5. (Connected) 1.2 (17:08) Martina Claussen has been active as a composer, vocal artist and Professor of Voice in Vienna for many years. After many collaborations and appearances on some excellent compilations she's arrived at her full debut album, a project we're very excited to be part of as Forwind reaches its thirtieth release. Verwoben (Interwoven) is an engrossing, intricate album of electronics and electro-acoustics with Martina's voice being the primary sound source for most of the compositions. The five tracks were crafted over several years of experiments, recordings and live performances before finding their final form, with Martina's production and sound design skills shining through in the innovative results. Packed with movement and dynamics, Verwoben swerves between the apparent, abstract and engagingly abstruse via pensive electronics, contemporary rumblings and harsher sections all swirling around the home base of Martina's voice, that always lends the album a warmth even as the sound moves further and further out into more shadowy and desolate spaces. The visual aspect is a hugely important piece in the final presentation of the record. The final artwork - a mix of the unmissable physicality of Anastasia Pottinger's photographs with stills from Connie Zenk's stunning digital video for the title track - perfectly reflects the overall approach and mood of the record. There's both a tension and bliss in Martina's digitally manipulated 'landscape of voices', human bodies and expressions both evolving and distorting through time. It's poignant, joyful, sorrowful and provoking. Martina's ambition for Verwoben was to 'open up a wide variety of associations and new acoustic spaces through a dialogue between voice, sound objects and electronics'. That mission has been accomplished with one of the most adept and inquisitive works we've had the pleasure of releasing. Grab your headphones for an entrancing listen. Verwoben will be available as a limited edition Digipak and in all digital formats. Download links: [Hidden Content] [Hidden Content]
  3. Artist: Daniel Cook Title: Gray, McKie & Others: Organ Works Year Of Release: 2020 Label: Priory Records Genre: Classical Quality: FLAC (tracks) Total Time: 77:59 min Total Size: 281 MB Tracklist: 01. Fantasia in D Minor 02. Romance in B-Flat Major 03. Sonata in D Minor: I. - 04. Sonata in D Minor: II. - 05. Sonata in D Minor: III. - 06. 12 Pieces, Book II: No. 7, Andante pathétique 07. Postlude Festival in D Minor 08. Soliloquy 09. Introduction & Fughetta 10. Benedictus No. 2 11. Melody in G Minor 12. Introduction & Fugue 13. Prelude on a Theme of Palestrina 14. Toccata Download links: [Hidden Content] [Hidden Content]
  4. Artist: Matti Raekallio Title: Merikanto: Piano Concertos Nos. 2 & 3 Year Of Release: 1998 Label: Ondine Genre: Classical Quality: FLAC (image+.cue,log,scans) Total Time: 54:42 Total Size: 270 Mb Tracklist: Aarre Merikanto (1893-1958) 01. Piano Concerto No. 2- 1. Tranquilla [0:11:07.07] 02. Piano Concerto No. 2- 2. Lento assai [0:06:21.21] 03. Piano Concerto No. 2- 3. Allegro assai [0:05:56.35] 04. Piano Concerto No. 3- 1. Capriccio (Lento - Allegro) [0:06:33.16] 05. Piano Concerto No. 3- 2. Pietá (Tranquillo) [0:05:30.36] 06. Piano Concerto No. 3- 3. Finale (Vivace) [0:05:38.19] 07. Studies (2) for orchestra- No. 1, Tranquillo- 1. Tranquillo [0:02:38.48] 08. Studies (2) for orchestra- No. 2, Cantabile- 2. Cantabile [0:02:13.32] 09. Pieces (2) for orchestra- Andante cantabile [0:06:20.33] 10. Pieces (2) for orchestra- Allegro ritmico [0:02:22.58] Performers: Matti Raekallio - piano Tampere Philharmonic Orchestra Tuomas Ollila - conductor Aaare Merikanto was the son of Oskar Merikanto, a Finnish organist. His talent was precocious, but political events of the 1920s and 30s caused a blacklisting of much of his music. This sad state of affairs is much rectified by these first-class recordings (world premiere, I assume because all but the 2nd Concerto is in manuscript). Raekaello plays superbly and is admirably backed by the Tampere Philharmonic Orchestra. The music has resonances of Prokofiev, Bartok, Shostakovich and even Rachmaninov (Merikanto once studied with Reger). The 2nd has more dissonance and is more like other 20th century concertos but the other works have more of a romantic feel about them. These smaller works have much melodic interest, as these seem to be works intended to be in a more popular style. Kudos to Ondine for releasing this CD! Download links: [Hidden Content] [Hidden Content]
  5. Artist: Maui Jazz Quartet Feat. Emil Richards Title: Maui Jazz Quartet Year Of Release: 2006 Label: Emil Richards Genre: Jazz Quality: Mp3 / 320kbps Total Time: 55:29 Total Size: 127 MB Tracklist ----------- 01. Ciao Bella 02. Yo Go Jo Po 03. Celesta #4 04. Calamari Blues 05. Malloreddus 06. Sheep Lie 07. Bettune 08. Cauliflower Ear 09. Turn up The Audio for Claudio Download links: [Hidden Content] [Hidden Content]
  6. Artist: The United States Coast Guard Band Title: Fuchs: Works for Wind Band Year Of Release: 2020 Label: Naxos Genre: Classical Quality: FLAC (tracks+booklet) Total Time: 58:56 min Total Size: 270 MB Tracklist- 01. Overture "Discover the Wild" (Version for Wind Band) 02. Idyll for Winds, Brass & Percussion "Point of Tranquility" 03. Celebration Fanfare for Brass & Percussion "From the Field to the Sky" 04. Alto Saxophone Concerto "Rush" (Version for Wind Band): I. Evening [Live] 05. Alto Saxophone Concerto "Rush" (Version for Wind Band): II. Morning [Live] 06. Fanfare Overture "United Artists" (Version for Wind Band) 07. Idyll for Winds, Brass & Percussion After a Painting by Andrew Wyeth "Christina's World" 08. Fanfare Overture "Forever Free" (Version for Wind Band) The fifth Naxos recording of works by Kenneth Fuchs with the London Symphony Orchestra, conducted by JoAnn Falletta, won the Grammy Award in 2018 for Best Classical Compendium. This new album reveals his mastery of the band medium and features the exceptional United States Coast Guard Band, in definitive performances of seven works for symphonic winds by one of America's leading composers. Kenneth Fuchs is one of America's leading composers, and has written music for orchestra, band, voice, chorus, and various chamber ensembles. This release features the alto saxophone concerto Rush, in its version with wind ensemble, presented by soloist Greg Case, who is co-principal saxophonist of the United States Coast Guard Band and has been a member since 1997. Download links: [Hidden Content] [Hidden Content]
  7. Artist: Daniel Hope Title: Hope@Home Year Of Release: 2020 Label: Deutsche Grammophon Genre: Classical Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks) Total Time: 01:17:29 Total Size: 377 / 812 MB Tracklist: 1. Les Feuilles Mortes (3:55) 2. La vie en rose (2:37) 3. This Bitter Earth / On the Nature of Daylight (6:37) 4. Irgendwo auf der Welt (3:54) 5. An die Musik, D. 547 (2:59) 6. Larghetto (2:51) 7. Youkali (4:30) 8. Godfather Waltz (3:53) 9. Gnossiennes : No. 1 (3:34) 10. America the Beautiful (3:08) 11. Moon River (2:48) 12. Hijo De La Luna (2:14) 13. Over the Rainbow (3:44) 14. Après un Rêve, Op. 7, No. 1 (3:28) 15. Berlin - Tel Aviv (4:33) 16. 14 Romances, Op. 34 : 14. Vocalise (5:46) 17. Summertime (2:46) 18. 9 Lieder und Gesänge, Op. 32 : 1. Wie rafft ich mich auf in der Nacht (4:33) 19. Asturiana / If (3:27) 20. Never on Sunday (2:22) 21. Lost in the Stars : Lost in the Stars (4:06) Violinist Daniel Hope spent his period of social distancing by performing chamber concerts from his living room in Berlin online and for Arte Concert with specially invited guests. Deutsche Grammophon is proud to present Hope@Home the album, a selection from this ground-breaking series of livestream events which attracted a combined audience of 2,5m viewers, to be released on 14th August. This album is a document of these extraordinary weeks. Everything you hear is live, one take only. Some pieces were rehearsed, others were not. In some cases Christoph Israel finished the arrangements literally minutes before we went live. You will hear the frequent squeak of my living room floor, as well as other spontaneous bumps and bangs. There were no patches or editing, no second takes. Sometimes life doesn't allow for second takes. This was my world for six magical and highly unusual weeks. I hope you enjoy listening.- Daniel Hope Artists Daniel Hope (violin), Christoph Israel (piano, work arranger), Till Brönner (trumpet), Joy Denalane (vocals), Max Raabe (vocals), Jacques Ammon (piano), Fritz Kreisler (work arranger), Paul Bateman (work arranger), Michael Metzler (percussion), Max Herre (vocals), Sebastian Knauer (piano), Matthias Goerne (baritone), Tamara Stefanovich (piano), Iris Berben (narrator), Aliya Vodovozova (flute) Download links: [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content]
  8. Artist: Arne Domnérus Title: Jazz at the Pawnshop 30th Anniversary Box Set Year Of Release: 2006 Label: Proprius PRSACD 7879 Genre: Jazz, Mainstream jazz, Standards Quality: DSD64 image (*.iso) / 2.0, 5.0 (2,8 MHz/1 Bit) Total Time: 3:33:04 Total Size: 10.43 GB Tracklist: Disc 1 1. Limehouse Blues (Philip Braham) [10:12] 2. I'm Confessin' (Doc Daugherty / Ellis Reynolds) [08:01] 3. High Life (Trad) [07:12] 4. Jeep's Blues (Johnny Hodges) [06:57] 5. Lady Be Good (George Gershwin) [09:14] 6. Take Five (Paul Desmond) [06:58] 7. Everything Happens To Me (Matt Dennis) [05:13] 8. Barbados (Charlie Parker) [08:13] 9. Stuffy (Coleman Hawkins) [07:09] Disc 2 1. Over The Rainbow (Harold Arlen) [07:16] 2. Now's The Time (Charlie Parker) [09:21] 3. Out Of Nowhere (John Green) [07:54] 4. Take The A Train (Billy Strayhorn) [09:33] 5. Here Is That Rainy Day (Jimmy Van Heusen) [05:31] 6. Struttin With Some Barbeque (Louis Armstrong) [06:42] 7. Poor Butterfly (Raymond Hubbel) [03:55] 8. Exactly Like You (Jimmy Machugh) [06:04] 9. Jeepers Creepers (Harry Warren) [05:07] 10. How High The Moon (Morgan Lewis/Nancy Hamilton) [06:28] 11. Things Ain't What They Used To Be (Mercer Ellington) [08:58] Disc 3 1. In A Mellow Tone (Duke Ellington/Milton Gabler) [11:16] 2. Gubben och Källingen (Trad) [07:25] 3. Nancy With the Laughing Face (Jimmy Heusen) [06:27] 4. Struttin' With Some (Lillian Armstrong) [12:12] 5. It Don't Mean A Thing (Duke Ellington) [03:11] 6. Mood Indigo (Duke Ellington) [06:06] 7. Jeep's Blues (Duke Ellington) [14:15] 8. High Life (take 2) (Trad) [06:00] On December 6 and 7, 1976, in a small jazz club called Stampen (The Pawn Shop) in Stockholm's Old Town, Swedish sound engineer Gert Palmcrantz recorded a group of leading Scandinavian jazzmen live, trying to get "the tight, harmonious sound of the records of my childhood." Conditions were less than ideal. A full house, a great deal of background noise. No rehearsals. No sound checks. The musicians just started playing with no one knowing what would be next on the agenda until reedman Arne Domnerus called it. The result has often been hailed as the best live jazz recording ever. Amazingly, for a small country such as Sweden, the record sold more than half a million copies and still sells, at a rate of around 4,000 copies annually. In the past thirty years it has been re-released in all manner of formats and become a cult album for Hi-Fi freaks, especially in South East Asia, where a Hong Kong audio magazine devoted five pages to an analysis of Palmcrantz's achievement. Now the icing on the cake: a special three-CD 30th anniversary edition of Jazz at the Pawnshop, with hybrid disks that play on ordinary CD, Stereo SACD and Surround SACD systems. It comes with previously unreleased material, a booklet in which a charmingly modest Palmcrantz very amusingly tells just how he did it. Plus a DVD, featuring interviews with Erstrand and Riedel, recorded in Stampen, with English subtitles. Sound aside, the music is an absolutely glorious mix that seamlessly knits Ellington with Armstrong, melancholic Swedish folk songs with bop, and two takes of African High Life thrown in for good measure. Domnerus is at the very height of his considerable powers on alto saxophone and clarinet. The highlights are a lovely, lyrical version of "Over The Rainbow" and his booting rendition of Parker's "Now's The Time," which follow one another on the second disc. Pianist Bengt Hallberg, usually an extremely delicate and very measured player, was obviously affected by the general ambience, and here and there cuts loose with awesome force. "Bengt went almost crazy on occasions," bassist Riedel recalls on the DVD. Erstrand, one of Europe's best on vibes, played just one night but added a light, airy feel. He rides high on up-tempo numbers like "Limehouse Blues," but also provides subtle underpinning on ballads including "I'm Confessin'" and "Lady Be Good." You hear the chink of glasses, the chime of the bell to acknowledge a tip, the burr of conversation. It all fits; that intimate club atmosphere that sparks jazz at its best. You feel as though you're there. Which is Palmcrantz's triumph, and why Jazz at the Pawnshop is likely to continue to fascinate both jazz and audio fans for a good many years to come. Download links: [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content]
  9. Artist: Michel Béroff Title: Piano Works For The Left Hand Year Of Release: 1988 Label: EMI Classics Genre: Classical Quality: FLAC (image+.cue,log,scans) Total Time: 72:16 Total Size: 229 mb Tracklist: 01. Bach-Chaconne [0:14:54.00] 02. Saint-Saens-Prelude [0:02:12.48] 03. Saint-Saens-Alla fuga [0:01:36.27] 04. Saint-Saens-Moto perpetuo [0:02:04.10] 05. Saint-Saens-Bourree [0:03:29.03] 06. Saint-Saens-Elegie [0:05:39.42] 07. Saint-Saens-Gigue [0:01:45.35] 08. Bartok-Etude [0:08:13.58] 09. Scriabine-Prelude [0:02:54.45] 10. Scriabine-Nocturne [0:05:35.27] 11. Chopin-Etude No 3 [0:01:34.73] 12. Chopin-Etude No 5 [0:05:26.15] 13. Chopin-Etude No 13 [0:02:49.72] 14. Chopin-Etude No 22 [0:02:58.15] 15. Chopin-Etude No 23 [0:02:36.73] 16. Chopin-Etude No 41 [0:05:09.00] 17. Chopin-Etude No 43 [0:03:18.40] Performers: Michel Béroff - piano Download links: [Hidden Content] [Hidden Content]
  10. Artist: VA Title: Top 50 Most Popular Classical Nocturnes Year Of Release: 2014 Label: Brilliant Classics Genre: Classical Quality: FLAC (tracks) Total Time: 0342:46 Total Size: 651 Mb Tracklist: 1. Nocturnes, Op. 48: No. 1 in C Minor. Lento 5:42 2. Nocturne in C-Sharp Minor, B. 49 3:53 3. Nocturnes, Op. 15: No. 2 in F-Sharp Major 3:36 4. Nocturnes, Op. 32: No. 1 in B Major 4:54 5. Nocturne in E Minor, Op. 72, No. 1 3:40 6. Nocturnes, Op. 62: No. 2 in E Major 5:19 7. Nocturnes, Op. 9: No. 3 in B Major 5:37 8. Nocturnes, Op. 37: No. 2 in G Major. Andantino 5:25 9. Nocturnes, Op. 32: No. 2 in A-Flat Major 5:35 10. Nocturnes, Op. 27: No. 2 in D-Flat Major. Lento sostenuto 5:20 11. Nocturnes, Op. 9: No. 1 in B-Flat Minor. Larghetto 5:23 12. Nocturnes, Op. 15: No. 3 in G Minor 4:33 13. Nocturnes, Op. 48: No. 2 in F-Sharp Minor. Andantino 7:09 14. Nocturnes, Op. 62: No. 1 in B Major 6:18 15. Nocturnes, Op. 9: No. 2 in E-Flat Major 4:12 16. Nocturnes, Op. 55: No. 1 in F Minor. Andante 4:42 17. Nocturnes, Op. 55: No. 2 in E-Flat Major. Lento sostenuto 4:15 18. Nocturnes, Op. 27: No. 1 in C-Sharp Minor 4:35 19. Nocturnes, Op. 15: No. 1 in F Major 4:21 20. Nocturnes, Op. 37: No. 11 in G Minor 7:43 21. Nocturne No. 21 in C Minor, Op. Posth. 3:08 22. Liebesträume, S. 541: No. 3 in A-Flat Major 4:36 23. Piano Sonata No. 14 in C-Sharp Major, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto 5:40 24. Fantasiestücke, Op. 12: No. 1, Des Abends in D-Flat Major 3:24 25. Reverie, L. 68 3:43 26. 3 Romances, Op. 28: No. 2, Romance in F-Sharp Major 3:22 27. Consolations, S. 172: No. 3, Lento placido in D-Flat Major 3:05 28. Suite bergamasque, L. 75: No. 3, Clair de lune 4:59 29. Kinderszenen, Op. 15: No. 7, Träumerei 3:11 30. Berceuse in D-Flat Major, Op. 57 5:03 31. Lyric Pieces, Op. 38: No. 1, Cradle Song 2:16 32. 3 Gymnopédies: No. 1, Lent et douloureux in D Major 3:39 33. Gnossiennes: 5. Modéré 2:51 34. Nocturne, Op. 22 6:25 35. Fantasiestücke, Op. 12: No. 5, In der Nacht in F Minor 3:47 36. Kinderszenen, Op. 15: No. 12, Kind im Einschlummern 2:10 37. The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile 3:24 38. Pavane pour une infante défunte in G Major, M. 19 6:24 39. Waldszenen, Op. 82: No. 7, Vogel als Prophet 2:50 40. The Seasons, Op. 37a: No. 6, June. Barcarolle in G Minor. Andante cantabile 3:43 41. Nocturne alla Field in B-Flat Major, Op. 52 4:42 42. Nocturne, Op. 121: No. 1 in A-Flat Major "Les soupirs de la harpe eolienne" 4:11 43. Nocturne, Op. 121: No. 2 in F Major (A trois mains) 4:03 44. Soireés musicales, Op. 6: No. 2, Nocturne in F Major 5:08 45. Les cloches du monestère, Op. 54: Nocturne in D-Flat Major 5:13 46. Première pensée: Nocturne in D-Flat Major, Op. 1 3:47 47. Notturnino innamorato in F-Sharp Minor, Op. 63 No. 43 2:09 48. Nocturne in E-Flat Major 5:44 49. La Murmure. Nocturne in A-Flat Major 3:03 50. Nocturne, Op. 21: No. 1 in G Minor 4:54 Performers: Earl Wild (piano), Pieter van Winkel (piano), Alwin Bar (piano), Hakon Austbo (piano), Alan Weiss (piano), Klara Wurtz (piano), Alexander Warenberg (piano), Michelangelo Carbonara (piano), Bart van Oort (piano), Agnieszka Chabowska (piano) Download links: [Hidden Content] [Hidden Content]
  11. Artist: Miles Davis Title: Kind of Blue Year Of Release: 1959/2001 Label: Columbia / CS 64935 Genre: Jazz Quality: DSD64 image (*.iso) / 2.0, 5.0 (2,8 MHz/1 Bit) Total Time: 55:06 Total Size: 4.39 GB Tracklist: 1. So What 2. Freddie Freeloader 3. Blue in Green 4. All Blues 5. Flamenco Sketches 6. Flamenco Sketches [Alternate Take]* * Bonus track Download links: [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content]
  12. kingdevils

    Ken Colyer - Wishing Well (2020)

    Artist: Ken Colyer Title: Wishing Well Year Of Release: 2020 Label: Nagel Heyer Records Genre: Jazz Quality: FLAC (tracks) Total Time: 85:06 min Total Size: 517 MB Tracklist: 01. (When It's) Darkness on the Delta 02. Cheek to Cheek 03. All of Me 04. Maple Leaf Rag 05. Working Man Blues 06. I Ain't Gonna Give Nobody None of My Jelly Roll 07. Maryland, My Maryland 08. Riverside Blues 09. Heebie Jeebies 10. Just the Blues 11. Nobody Knows the Trouble I've Seen 12. Papa Dip 13. Somebody Stole My Gal 14. Dinah 15. Sweet Lorraine 16. Somewhere over the Rainbow 17. Sweet Sue, Just You 18. Too Busy 19. At a Georgia Camp Meeting 20. Dusty Rag 21. Pretty Baby 22. When I Leave the World Behind Download links: [Hidden Content] [Hidden Content]
  13. Artist: Evgeni Koroliov Title: The Koroliov Series, Vol. 20 Year Of Release: 2017/2020 Label: TACET Musikproduktion Genre: Classical Quality: FLAC (tracks+booklet) Total Time: 112:15 min Total Size: 346 MB Tracklist: CD1: 01. Große Fuge in B-Flat Major, Op. 134 02. 11 Bagatelles, Op. 119: No. 1, Allegretto 03. 11 Bagatelles, Op. 119: No. 2, Andante con moto 04. 11 Bagatelles, Op. 119: No. 3, À l'Allemande 05. 11 Bagatelles, Op. 119: No. 4, Andante cantabile 06. 11 Bagatelles, Op. 119: No. 5, Risoluto 07. 11 Bagatelles, Op. 119: No. 6, Andante - Allegretto 08. 11 Bagatelles, Op. 119: No. 7, Allegro ma non troppo 09. 11 Bagatelles, Op. 119: No. 8, Moderato cantabile 10. 11 Bagatelles, Op. 119: No. 9, Vivace moderato 11. 11 Bagatelles, Op. 119: No. 10, Allegramente 12. 11 Bagatelles, Op. 119: No. 11, Andante ma non troppo 13. 6 Bagatelles, Op. 126: No. 1, Andante con moto 14. 6 Bagatelles, Op. 126: No. 2, Allegro 15. 6 Bagatelles, Op. 126: No. 3, Andante. Cantabile e grazioso 16. 6 Bagatelles, Op. 126: No. 4, Presto 17. 6 Bagatelles, Op. 126: No. 5, Quasi allegretto 18. 6 Bagatelles, Op. 126: No. 6, Presto - Andante amabile e con moto CD2: 01. Diabelli Variations, Op. 120: Theme.flac 02. Diabelli Variations, Op. 120: Var. 1, Alla marcio maestoso.flac 03. Diabelli Variations, Op. 120: Var. 2, Poco allegro.flac 04. Diabelli Variations, Op. 120: Var. 3, L'istesso tempo.flac 05. Diabelli Variations, Op. 120: Var. 4, Un poco più vivace.flac 06. Diabelli Variations, Op. 120: Var. 5, Allegro vivace.flac 07. Diabelli Variations, Op. 120: Var. 6, Allegro ma non troppo e serioso.flac 08. Diabelli Variations, Op. 120: Var. 7, Un poco più allegro.flac 09. Diabelli Variations, Op. 120: Var. 8, Poco vivace.flac 10. Diabelli Variations, Op. 120: Var. 9, Allegro pesante e risoluto.flac 11. Diabelli Variations, Op. 120: Var. 10, Presto.flac 12. Diabelli Variations, Op. 120: Var. 11, Allegretto.flac 13. Diabelli Variations, Op. 120: Var. 12, Un poco più moto.flac 14. Diabelli Variations, Op. 120: Var. 13, Vivace.flac 15. Diabelli Variations, Op. 120: Var. 14, Grave e maestoso.flac 16. Diabelli Variations, Op. 120: Var. 15, Presto scherzando.flac 17. Diabelli Variations, Op. 120: Var. 16, Allegro.flac 18. Diabelli Variations, Op. 120: Var. 17, Allegro.flac 19. Diabelli Variations, Op. 120: Var. 18, Poco moderato.flac 20. Diabelli Variations, Op. 120: Var. 19, Presto.flac 21. Diabelli Variations, Op. 120: Var. 20, Andante.flac 22. Diabelli Variations, Op. 120: Var. 21, Allegro con brio.flac 23. Diabelli Variations, Op. 120: Var. 22, Allegro molto alla :Notte e giorno faticar: di Mozart.flac 24. Diabelli Variations, Op. 120: Var. 23, Allegro assai.flac 25. Diabelli Variations, Op. 120: Var. 24, Fughetta.flac 26. Diabelli Variations, Op. 120: Var. 25, Allegro.flac 27. Diabelli Variations, Op. 120: Var. 26, Piacevole.flac 28. Diabelli Variations, Op. 120: Var. 27, Vivace.flac 29. Diabelli Variations, Op. 120: Var. 28, Allegro.flac 30. Diabelli Variations, Op. 120: Var. 29, Adagio ma non troppo.flac 31. Diabelli Variations, Op. 120: Var. 30, Andante, sempre cantabile.flac 32. Diabelli Variations, Op. 120: Var. 31, Largo, molto espressivo.flac 33. Diabelli Variations, Op. 120: Var. 32, Fuga. Allegro.flac 34. Diabelli Variations, Op. 120: Var. 33, Tempo di menuetto moderato.flac Although Beethoven's opus numbers extend to op. 135, there were no more piano sonatas after op. 111. There is, though, a variation cycle lasting almost an hour on a simple theme by Anton Diabelli. This astonishing cycle takes the listener into such distant moods, that even after the first variation it doesn't matter what the theme is, it is all so unmistakably Beethoven. Also on this disc, two cycles of "simple" piano pieces entitled "Bagatelles". Small, unimportant things, trivialities, which make you think involuntarily of much later romantic composers. And finally, the usually so self-critical Beethoven allocated his penultimate opus number (op. 134) to a "simple" piano score of the "Große Fuge" op. 133! So how does all this fit together? Obviously, the scope of classical forms was too narrow for Beethoven. Did this apparent simplicity serve a wider purpose? The very last movement of the very last opus, the string quartet op. 135, is based on the text "Must it be? - It must be! " Was Beethoven in his last works pursuing an overall objective? Or did it all just happen like that? Find out now! You can find these last works for piano alongside each other on a double CD. Just listen to the first few seconds of the "Große Fuge" with Ljupka Hadzigeorgiewa and Evgeni Koroliov. Succumb to the charm and allure of these two musicians, who lead us selflessly and confidently through this perplexing hiatus in musical history. Download links: [Hidden Content] [Hidden Content]
  14. Artist: Art Tatum Title: The King of Jazz Year Of Release: 2020 Label: Before 1962 Recordings Genre: Jazz Quality: FLAC (tracks) Total Time: 3:33:20 Total Size: 808 MB Tracklist: 01. Blue Moon 02. I Don't Stand a Ghost of a Chance with You 03. Fine and Dandy 04. Memories of You 05. Love Me or Leave Me 06. This Can't Be Love 07. When a Woman Loves a Man 08. The Man I Love 09. Stompin' at the Savoy 10. Would You Like to Take a Walk 11. You're Driving Me Crazy What Did I Do 12. Willow Weep for Me 13. Love for Sale 14. Cover the Waterfront 15. Body and Soul 16. All the Things You Are 17. Ain't Missbehaven' 18. I've Got a Crush on You 19. I'll See You in My Dreams 20. Judy 21. Stay as Sweet as You Are 22. Someone to Watch over Me 23. Wrap Your Troubles in Dreams 24. You Took Advantage of Me 25. Where or When 26. Smoke Gets in Your Eyes 27. Louise 28. Japanese Sandman 29. In a Sentimental Mood 30. I Hadn't Anyone 'til You 31. Have You Met Miss Jones 32. If You Hadn't Gone Away 33. I'm in the Mood for Love 34. Begin the Beguine 35. Elegy 36. I'm Coming Virginia 37. September Song 38. Night and Day 39. Mighty Like a Rose 40. Tenderly 41. There Will Never Be Another You 42. Without a Song 43. Stardust 44. Over the Rainbow 45. Aunt Hagar's Blue 46. Humoresque 47. I'll See You Again 48. Embraceable You 49. Ill Wind 50. Jitterbug Waltz Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Able to play stride, swing, and boogie-woogie with speed and complexity that could only previously be imagined, Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries. Born nearly blind, Tatum gained some formal piano training at the Toledo School of Music but was largely self-taught. Although influenced a bit by Fats Waller and the semi-classical pianists of the 1920s, there is really no explanation for where Tatum gained his inspiration and ideas from. He first played professionally in Toledo in the mid-'20s and had a radio show during 1929-1930. In 1932 Tatum traveled with singer Adelaide Hall to New York and made his recording debut accompanying Hall (as one of two pianists). But for those who had never heard him in person, it was his solos of 1933 (including "Tiger Rag") that announced the arrival of a truly major talent. In the 1930s, Tatum spent periods working in Cleveland, Chicago, New York, Los Angeles, and (in 1938) England. Although he led a popular trio with guitarist Tiny Grimes (later Everett Barksdale) and bassist Slam Stewart in the mid-'40s, Tatum spent most of his life as a solo pianist who could always scare the competition. Some observers criticized him for having too much technique (is such a thing possible?), working out and then keeping the same arrangements for particular songs, and for using too many notes, but those minor reservations pale when compared to Tatum's reworkings of such tunes as "Yesterdays," "Begin the Beguine," and even "Humoresque." Although he was not a composer, Tatum's rearrangements of standards made even warhorses sound like new compositions. Art Tatum, who recorded for Decca throughout the 1930s and Capitol in the late '40s, starred at the Esquire Metropolitan Opera House concert of 1944 and appeared briefly in his only film in 1947, The Fabulous Dorseys (leading a jam session on a heated blues). He recorded extensively for Norman Granz near the end of his life in the 1950s, both solo and with all-star groups; all of the music has been reissued by Pablo on a six-CD box set. His premature death from uremia has not resulted in any loss of fame, for Art Tatum's recordings still have the ability to scare modern pianists. ~ Scott Yanow Download links: [Hidden Content] [Hidden Content]
  15. Artist: Naretha Williams Title: Blak Mass Year Of Release: 2020 Label: Heavy Machinery Records - HEVMAC004 Genre: Abstract, Experimental, Industrial, Drone, Contemporary Quality: 16bit-44,1kHz FLAC Total Time: 32:54 Total Size: 158 mb Tracklist A1 - Paranormal Pipe Dream (04:49) A2 - Chaos Country (05:30) A3 - Servitor For The Stolen (05:54) B1 - Collective Consequences (04:24) B2 - Carnivahalla (02:22) B3 - Dark Hearth (04:48) B4 - Ghost Track (05:07) Heavy Machinery Records is proud to present BLAK MASS - the debut full length LP from Naretha Williams. Commissioned by The City Of Melbourne for a live performance in 2019, BLAK MASS sees Naretha combine the gargantuan Melbourne Town Hall Grand Organ with live electronics to realise her complex progressive compositions. BLAK MASS reflects on the city's jarring civic history and the impact of colonisation on its First Peoples and Land, through an experimental, site specific musical performance developed for the Melbourne Town Hall Grand Organ. Naretha Williams is a First Nations experimental interdisciplinary artist with a primary focus on music and audio arts practice. A Wiradjuri woman of mixed lineage, born and based in Melbourne on the Sovereign Land of the Kulin Nation, Victoria, Australia, Naretha's process-based work intersects installation and contemporary music, exploring themes around identity, place and the unseen. Ritual and esoteric practice underpins both process and presentation of her work. BLAK MASS is the second iteration of Naretha Williams' CRYPTEX composition project. CRYPTEX - Bio Templates & Ceremonial Frameworks for Contemporary Composition utilises the source code of the body by analysing DNA sequences to create mathematical templates to work with in a musical context. BLAK MASS considers the Grand Organ as a significant symbol of European domination and reaches deep in to the psyche of the instrument to create a haunting, avant-garde sound work. The title may indeed conjure pearl-clutching anxieties about the summoning of 'dark' forces and the opening of portals between forbidden realms. These concepts are central to Naretha William's stunning Grand Organ commission which is a direct confrontation with ideas of established power, conservative gatekeeping and cultural dominance in Australian society. "Under the control of Williams, the Town Hall's Grand Organ became something else, electric and unruly as the deep melodic sounds of the old instrument intersected with her vivid set. Her music was an act of cleansing, taming the instruments that attempted to obliterate blak culture. Her presence and dynamic sound demonstrated survival in an era of renewed blak confidence." Timmah Ball - ABC Arts Download links: [Hidden Content] [Hidden Content]
  16. Artist: Netherlands Philharmonic Orchestra, Marc Albrecht Title: Strauss: Der Rosenkavalier, Op. 59 Year Of Release: 2017 Label: Challenge Classics Genre: Classical Quality: flac lossless Total Time: 03:14:17 Total Size: 951 mb Tracklist 01. Der Rosenkavalier, Op. 59, Act 1 I. Einleitung 02. Der Rosenkavalier Op. 59, Act 1 II. Wie du warst! (Octavian) 03. Der Rosenkavalier Op. 59, Act 1 III. Der Feldmarschall sitzt im krowatischen Wald (Octavian) 04. Der Rosenkavalier, Op. 59, Act 1 IV. Selbstverstandlich empfangt mich Ihre Gnaden (Baron) 05. Der Rosenkavalier, Op. 59, Act 1 V. Macht das einen lahmen Esel aus mir (Baron) 06. Der Rosenkavalier, Op. 59, Act 1 VI. Drei arme, adelige Waisen (Drei Waisen) 07. Der Rosenkavalier, Op. 59, Act 1 VII. Di rigori armato il seno (Der Tenor) 08. Der Rosenkavalier, Op. 59, Act 1 VIII. Mein lieber Hippolyte (Marschallin) 09. Der Rosenkavalier, Op. 59, Act 1 IX. Da geht er hin, der aufgeblas'ne, schlechte Kerl (Marschallin) 10. Der Rosenkavalier, Op. 59, Act 1 X. Ach! Du bist wieder da (Marschallin) 11. Der Rosenkavalier, Op. 59, Act 1 XI. Die Zeit, die ist ein sonderbar' Ding (Marschallin) 12. Der Rosenkavalier, Op. 59, Act 2 I. Einleitung II 13. Der Rosenkavalier, Op. 59, Act 2 II. Ein ernster Tag, ein gro?er Tag! (Faninal) 14. Der Rosenkavalier, Op. 59, Act 2 III. In dieser feierlichen Stunde der Prufung (Sophie) 15. Der Rosenkavalier, Op. 59, Act 2 IV. Presentation of the Rose 16. Der Rosenkavalier, Op. 59, Act 2 V. Mir ist die Ehre widerfahren (Octavian) 17. Der Rosenkavalier, Op. 59, Act 2 VI. Ich kenn' Ihn schon recht wohl (Sophie) 18. Der Rosenkavalier, Op. 59, Act 2 VII. Jetzt aber kommt mein Herr Zukunftiger (Sophie) 19. Der Rosenkavalier, Op. 59, Act 2 VIII. Hab' nichts dawider (Baron) 20. Der Rosenkavalier, Op. 59, Act 2 IX. Mit Ihren Augen voll Tranen (Octavian) 21. Der Rosenkavalier, Op. 59, Act 2 X. Herr Baron von Lerchenau! (Anina, Valzacci) 22. Der Rosenkavalier, Op. 59, Act 2 XI. Da lieg' ich! (Baron) 23. Der Rosenkavalier, Op. 59, Act 3 I. Einleitung und Pantomime 24. Der Rosenkavalier, Op. 59, Act 3 II. Hab'n Euer Gnaden noch weitre Befehle (Wirt) 25. Der Rosenkavalier, Op. 59, Act 3 III. Nein, nein! I trink' kein Wein (Octavian) 26. Der Rosenkavalier, Op. 59, Act 3 IV. Wie die Stund' hingeht (Octavian) 27. Der Rosenkavalier, Op. 59, Act 3 V. Halt! Keiner ruhrt sich! (Kommissarius) 28. Der Rosenkavalier, Op. 59, Act 3 VI. Ihre hochfurstliche Gnaden, die Frau Furstin Feldmarschall (Wirt) 29. Der Rosenkavalier, Op. 59, Act 3 VII. Ist halt vorbei (Marschallin) 30. Der Rosenkavalier, Op. 59, Act 3 VIII. Mein Gott! Es war nicht mehr als eine Farce (Sophie) 31. Der Rosenkavalier, Op. 59, Act 3 IX. Heut oder morgen oder den ubernachsten Tag (Marschallin) 32. Der Rosenkavalier, Op. 59, Act 3 X. Marie Theres'! - Hab' mir's gelobt, ihn lieb zu haben (Octavian - Marschallin) 33. Der Rosenkavalier, Op. 59, Act 3 XI. Ist ein Traum, kann nicht wirklich sein (Sophie - Octavian) ollowing on from the critically acclaimed recordings of Elektra (CC7565) and Arabella (CC72686), Challenge Classics presents this live recording from September 2015 of Strauss's Der Rosenkavalier with the Netherlands Philharmonic Orchestra and Dutch National Opera Chorus under the baton of Marc Albrecht. The cast is a carefully selected mix of young and experienced Strauss specialists including Camilla Nylund (Feldmarschallin), Peter Rose (Baron Ochs), Paula Murrihy (Octavian) and Hanna-Elisabeth Muller (Sophie). The Dutch National Opera is the largest opera company in the Netherlands and is housed in Dutch National Opera & Ballet, in Amsterdam. Under the leadership of artistic director Pierre Audi and the managing director of Dutch National Opera & Ballet, Els van der Plas, DNO has grown into one of the most important and pioneering opera companies in Europe. 'Marc Albrecht, once again presented his platinum Strauss credentials... The Netherlands Philharmonic, playing with dreamlike ease, tugged at the heart with airborne woodwinds and shapely violin lines, stopping a hair's breadth away from full extravagance. This introspective restraint created a tenseness throughout, rendering the emotional climaxes all the more powerful.' - 5 stars, bachtrack.com (September 2015) Download links: [Hidden Content] [Hidden Content]
  17. Artist: Netherlands Radio Philharmonic, Edo de Waart, Markus Stenz Title: Willem Jeths: Symphony No. 1 & Recorder Concerto Year Of Release: 2015 Label: Challenge Classics Genre: Classical Quality: flac lossless Total Time: 00:57:38 Total Size: 216 mb Tracklist 01. Symphony No. 1 for Orchestra and Mezzo Soprano Unbegrenzt 02. Symphony No. 1 for Orchestra and Mezzo Soprano Wie ein Kondukt 03. Symphony No. 1 for Orchestra and Mezzo Soprano Metanoia 04. Symphony No. 1 for Orchestra and Mezzo Soprano Selige Sehnsucht 05. Recorder concerto World Premiere recordings of a pair of orchestral works by leading Dutch composer Willem Jeths, featuring two world famous conductors - Edo de Waart and Markus Stenz - with the Netherlands Radio Philharmonic Orchestra. Following his Symphony No 1, the virtuoso Erik Bosgraaf is the soloist in the Recorder Concerto. Jeths, born in 1959, had written an opera, three string quartets, eleven solo concertos and a large number of orchestral and chamber music works before attempting the most important genre of the orchestral repertoire. In fact, his is not a traditional symphony in the classical-romantic sense, but rather a piece with four movements themed around the cycle of life, death and transformation. Just under 45 minutes in length, the symphony consists of one single build-up of tension in which its musical and philosophical aspects - the opening and closing vocal movements incorporate poems by Goethe that revolve around the cyclic dimension of existence - are seen to be all interconnected. Before composing his Recorder Concerto for Erik Bosgraaf, Willem Jeths heard him play a number of different instuments, one of which was a 16th-century renaissance recorder by Silvestro Ganassi. "That instrument is more powerful than the more common baroque variant, so I composed my concerto specifically for the Ganassi recorder." As the composition progressed, Jeths was increasingly captivated by what he calls the 'essence of the instrument': "To me, the sound of the recorder represents innocence and fragile purity. I had to give the soloist enough scope to let him put these qualities across to the best possible effect.(to) emerge in the limelight." Download links: [Hidden Content] [Hidden Content]
  18. Artist: José Gallardo, Linus Roth Title: Weinberg: Solo Sonatas for Violin Nos. 1 - 3 Year Of Release: 2016 Label: Challenge Classics Genre: Classical Quality: flac lossless +Booklet Total Time: 01:14:22 Total Size: 340 mb Tracklist 01. 3 Fantastic Dances (Transcribed for Violin and Piano by Harry Glickman): Dance No. 1. Allegretto 02. Solo Violin Sonata No. 1, Op. 82: Adagio-Allegro-Adagio 03. Solo Violin Sonata No. 1, Op. 82: Andante 04. Solo Violin Sonata No. 1, Op. 82: Allegretto 05. Solo Violin Sonata No. 1, Op. 82: Lento 06. Solo Violin Sonata No. 1, Op. 82: Presto-Adagio 07. 3 Fantastic Dances (Transcribed for Violin and Piano by Harry Glickman): Dance No. 2. Andantino 08. Solo Violin Sonata No. 2, Op. 95: Monody 09. Solo Violin Sonata No. 2, Op. 95: Andantino grazioso 10. Solo Violin Sonata No. 2, Op. 95: Presto agitato 11. Solo Violin Sonata No. 2, Op. 95: Andantino non tanto 12. Solo Violin Sonata No. 2, Op. 95: Allegretto leggiero 13. Solo Violin Sonata No. 2, Op. 95: Lento affettuoso 14. Solo Violin Sonata No. 2, Op. 95: Vivace marcato 15. 3 Fantastic Dances (Transcribed for Violin and Piano by Harry Glickman): Dance No. 3. Allegretto 16. Solo Violin Sonata No. 3, Op. 126 Linus Roth's disc of Weinberg's three Sonatas for solo violin is the fourth recording he has devoted to the Polish-born composer's violin music, following Challenge Classics CDs of his Violin and Piano Sonatas, Violin Concerto and Violin Concertino - two of which were Gramophone Editor's Choices. Since he won the Echo Klassik Award for his EMI debut album in 2006, Linus Roth has made a name for himself both as one of the most interesting violinists of his generation and as a champion of wrongly forgotten works and composers. One such is Mieczyslaw Weinberg, a friend of Shostakovich (whose music also appears here with a transcription of his Three Fantastic Dances). Roth is perhaps the leading performer of Weinberg's music currently; and his interest in the composer led in 2015 to the formation of the International Mieczyslaw Weinberg Society. Weinberg's three unaccompanied violin sonatas are passionate works dating from 1964, 1967 and 1978. The Third Sonata, Op.123, is the most challenging and important: one continuous movement lasting nearly half an hour, with many technical difficulties. This sonata is dedicated to the memory of his father Shmuil Weinberg, who was a composer and conductor at the Yiddish theatre in Kishinev. Given that Weinberg knew his father had been murdered in the Holocaust, the sonata isn't easy listening but it's hugely rewarding. Download links: [Hidden Content] [Hidden Content]
  19. Artist: Thurston Dart Title: Mozart: Serenades Year Of Release: 2020 Label: Universal Music Genre: Classical Quality: FLAC (tracks) Total Time: 77:50 min Total Size: 239 MB Tracklist- 01. Serenade in G Major, K. 525 "Eine kleine Nachtmusik" - 1. Allegro 02. Menuetto and Trio, K. 498a 03. Serenade in G Major, K. 525 "Eine kleine Nachtmusik" - 2. Romance. Andante 04. Serenade in G Major, K. 525 "Eine kleine Nachtmusik" - 3. Menuetto. Allegretto 05. Serenade in G Major, K. 525 "Eine kleine Nachtmusik" - 4. Rondo. Allegro 06. Serenata Notturna in D, K.239 - 1. Marcia. Maestoso 07. Serenata notturna in D Major, K. 239 - 2. Menuetto - Trio 08. Serenata notturna in D Major, K. 239 - 3. Rondeau. Allegretto - Adagio - Allegro 09. Symphony No. 29 in A Major, K. 201 - 1. Allegro moderato 10. Symphony No. 29 in A Major, K. 201 - 2. Andante 11. Symphony No. 29 in A Major, K. 201 - 3. Menuetto 12. Symphony No. 29 in A Major, K. 201 - 4. Allegro con spirito 13. 6 German Dances, K. 509 - Six German Dances, K. 509 14. 6 German Dances, K. 571 - Six German Dances, K. 571 A first international CD issue for two contrasting albums of light-orchestral Mozart from Joseph Keilberth and Thurston Dart. The two albums reissued here exemplify the postwar revolution of Classical-era performance styles. Having begun to make records in 1938, the L'Oiseau-Lyre label worked in the vanguard of the period-performance movement, yet in 1951 the Bamberg Symphony Orchestra and it's long-time principal conductor Joseph Keilberth were engaged to record the Symphony KV 201 and the two sets of German Dances. They did so in Paris, the day after giving a concert in the Salle Pleyel to open a tour of France, Spain and Portugal. The sessions prompted a laconic diary reflection from Keilberth - 'How hard it is to stick to a really secure 3/4 pulse' - but the authors of The Record Guide observed an unexpected lightness of touch about the results. L'Oiseau-Lyre's founder Louise Dyer continued, however, to engage artists who were scholars as much as musicians - none more eminent than Thurston Dart, who had produced a scholarly edition of Couperin's keyboard works on which much of the label's reputation was founded, and who directed his own ensembles such as the Philomusica of London with a sure and lively touch. This recording of Eine kleine Nachtmusik was the first - and still one of the only - to insert a replacement for the work's missing first minuet- in this case, Dart's own orchestration of a movement from a piano sonata, following a suggestion made by Alfred Einstein. It was also the first album of Mozart's orchestral music where the instrumentalists used 'period' bows, lighter and differently balanced, lending a natural shapeliness to the phrases. Download links: [Hidden Content] [Hidden Content]
  20. Artist: Nikolaj Znaider Title: Brahms, Korngold: Violin Concertos Year Of Release: 2009 Label: RCA Red Seal Genre: Classical Quality: FLAC (image+.cue,scans) Total Time: 67:37 Total Size: 336 Mb Tracklist: Johannes Brahms - Violin Concerto In D Major, Op 77 (41:50) 1. Allegro Ma Non Troppo 23:57 2. Adagio 9:16 3. Allegro Giocoso, Ma Non Troppo 8:37 Erich Wolfgang Korngold - Violin Concerto In D Major, Op. 35 (25:37) 4. I. Moderato Nobile 9:19 5. II. Romance 8:47 6. III. Finale 7:31 Performers: Nikolaj Znaider - violin Wiener Philharmoniker Valery Gergiev - conductor Nikolaj Znaider has a lovely, singing tone and prefers long-breathed, legato phrasing even in virtuoso passage-work. His ability to play quick passages in double-stops so sweetly, and to phrase them as genuine melodies, makes music out of long passages in the Korngold that sometimes comes across as empty virtuosity. Consider the long first-movement cadenza, or the opening measures of the finale; combined with Gergiev's warmly flexible accompaniment, the result is one of the finest recordings of the Korngold currently available, no doubt about it. The same qualities that work so well in the Korngold prove nearly lethal in the Brahms. For some reason, tempos have been slowing down in this piece over the past few decades. Znaider takes almost 24 minutes over the first movement; compare this to Milstein (19) or Oistrakh (22, with Klemperer no less). But the difference has less to with tempo than with firmness of rhythm. Znaider's persistent smoothness, so effective in preventing that "hack and chop" sound in Korngold, turns Brahms bland. The slow movement is beautiful, but the finale comes off as much slower than it really is owing to a terminal lack of incisiveness. So this is worth hearing for the Korngold, but as a total offering this glass is only half full. Download links: [Hidden Content] [Hidden Content]
  21. Artist: Nils Henrik Asheim Title: Grieg: Ballade & Tveitt: Hundrad Hardingtonar Year Of Release: 2018 Label: Lawo Classics Genre: Classical Quality: flac 24bits - 48.0kHz +Booklet Total Time: 01:11:35 Total Size: 654 mb Tracklist 01. Ballade, Op. 24 02. Hundrad Hardingtonar: Vélkomne med Æra 03. Hundrad Hardingtonar: Flyteljod 04. Hundrad Hardingtonar: Friarføter 05. Hundrad Hardingtonar: Dan fagraste Viso pao Joræ 06. Hundrad Hardingtonar: Guds Godhet og Guds Storhet 07. Hundrad Hardingtonar: Storskrytarstev 08. Hundrad Hardingtonar: Langeleiklåt 09. Hundrad Hardingtonar: Graot og Laott aot ein Baot 10. Hundrad Hardingtonar: Huldrahaugjen 11. Hundrad Hardingtonar: Dan lånjge, långje Vettranåttæ 12. Hundrad Hardingtonar: Stavkyrkjestev 13. Hundrad Hardingtonar: Fjedlmansjento 14. Hundrad Hardingtonar: So stilt dei ror på Glittrefjord 15. Hundrad Hardingtonar: Å høyre du Songjen i Fossaduren 16. Hundrad Hardingtonar: Trollstemt Hardingfela 17. Hundrad Hardingtonar: Hardingøl 18. Hundrad Hardingtonar: Siste Farvel 19. Hundrad Hardingtonar: Folgafodne fortél ingjenting Do the best classical works have anything to gain from transcription to the organ? What new dimensions can be explored? Nils Henrik Asheim attempts to answer these questions and more by transferring both Edvard Grieg's 'Ballade' and Geirr Tveitt's 'Hundrad Hardingtonar' to the concert organ's color palette. This project has become one that should garner considerable interest! The 'Ballade' is Grieg?s greatest work for solo piano. Through a magnificent, epic range of variations over a Norwegian folk song, he wrote away his grief over the loss of his parents, his marital problems, and his artistic stagnation. Asheim's organ edition closely follows these restless mood changes, from the lyrical to the triumphant. Geir Tveitt hit a gold mine when he combined folk tunes from Hardanger with his unique sense of harmony and orchestration. Asheim took inspiration from the lush spectrum of colors of the Hundrad Hardingtonar version for orchestra and pulled out the organ?s entire stock of creative sound combinations for the task. This selection counts 18 tunes, from the poignant 'Vélkomne med Æra' to the hypnotic 'Hardingøl' to the mystical 'Folgafodne fortél ingjenting.' After five years, Asheim believes that the instrument of the house is ripe for its first CD release. The 65-stop concert organ from Ryde & Berg in Fredrikstad has been praised for its organic, warm sound and is frequently used by performers from home and abroad. Download links: [Hidden Content] [Hidden Content]
  22. Artist: Kent Tritle Title: Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir) [Live] Year Of Release: 2016/2020 Label: Pro Organo Genre: Classical Quality: FLAC (tracks+booklet) Total Time: 66:26 min Total Size: 359 MB Tracklist: CD1: 01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): Ia. Veni, creator spiritus. Veni, creator spirit 02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): Ib. Veni, creator spiritus. Etwas gehalten [Live 03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): Ic. Veni, creator spiritus. Plötzlich sehr breit 04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): Id. Veni, creator spiritus. Wider frisch [Live] CD2: 01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IIa. Finale from Faust. Poco adagio [Live] 02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IIb. Finale from Faust. Wieder langsam [Live] 03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IIc. Finale from Faust. Grazioso [Live] 04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IId. Finale from Faust. Sehr langsam [Live] 05. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IIe. Finale from Faust. Überflüssig, ewig helle 06. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Arr. for Organ & Choir): IIf. Finale from Faust. Langsam [Live] This live concert recording from April 7, 2016 is of the premiere performance of Gustav Mahler's Symphony No. 8 in the new organ-choral version by organist David Briggs. Conductor Kent Tritle leads soloists and 351 choristers, including singers from the Manhattan School of Music Women's Chorus, Manhattan School of Music Symphonic Chorus, Cathedral Choristers from Cathedral of St. John the Divine, New York, and the Oratorio Society of New York. David Briggs performs the full symphonic score as an organ transcription on the Great Organ of the Cathedral of St. John the Divine in New York. Download links: [Hidden Content] [Hidden Content]
  23. Artist: Noel Cuta Title: Chopin Ballades, Scherzos, and Fantasy Year Of Release: 2020 Label: Noel Cuta Genre: Classical Quality: flac lossless Total Time: 01:25:37 Total Size: 297 mb Tracklist 01. Ballade in G Minor, Op. 23 02. Ballade in F Major, Op. 38 03. Ballade in A-Flat Major, Op. 47 04. Ballade in F Minor, Op. 52 05. Scherzo in B Minor, Op. 20 06. Scherzo in B-Flat Minor, Op. 31 07. Scherzo in C-Sharp Minor, Op. 39 08. Scherzo in E Major, Op. 54 09. Fantaisie in F Minor, Op. 49 Download links: [Hidden Content] [Hidden Content]
  24. Artist: Lil' Maceo Kareem Walkes Title: His Name Is Kareem Year Of Release: 2020 Label: Lil' Maceo Kareem Walkes Genre: Jazz / Contemporary Jazz / Smooth Jazz Quality: Mp3 / 320kbps Total Time: 54:39 Total Size: 128 MB Tracklist ------------ 01 - Saxophonic 02 - Free 03 - With U 04 - Then, Now and Forever 05 - Move Your Body 06 - Be with Me 07 - Sleepless Nights 08 - Saxy K 09 - 2mro 10 - Don't Stop the Party 11 - On My Mind 12 - Feelin' Kinda Saxy 13 - My Apology 14 - Don't Stop the Party (Masi's Monster Radio Mix) Download links: [Hidden Content] [Hidden Content]
  25. Artist: Erick Friedman Title: Paganini: Violin Concerto No. 1, Saint-Saëns: Introduction et Rondo capriccioso Year Of Release: 2016 Label: RCA Red Seal Genre: Classical Quality: FLAC (tracks) / MP3 320 Kbps Total Time: 41:06 Total Size: 218 Mb / 104 Mb Tracklist: Niccolo Paganini Violin Concerto No. 1 in D major, Op. 6 1. I. Allegro maestoso 18:46 2. II. Adagio 05:05 3. III. Rondo. Allegro spirituoso 08:29 Camille Saint-Saëns 4. Introduction et Rondo capriccioso in A Minor, Op. 28 08:50 Performers: Erick Friedman (violin) Chicago Symphony Orchestra Walter Hendl, conductor Download links: [Hidden Content] [Hidden Content] [Hidden Content] [Hidden Content]